Building work was carried out using local labour, directed by W.R. Lethably, a London architect;  stone came from nearby quarries and most of the interior fittings are Herefordshire oak.

The beautiful thatched roof is made of Norfolk reeds and this work was given to Norfolk experts in the craft.

Work was completed in 1902 and the original church in the grounds of the Court was closed.

Font

When the St. Anne’s chapel was restored in 1956, it was found that the floor was actually covering an earlier floor of stone slabs, in which were many memorial stones. The inscriptions were unreadable, and most were removed when the new floor was laid, however when one of the slabs was taken up a stone coffin was found in which was a skeleton of a child between 12 and 16. The grave was closed again, but it is thought possible that it was Henry Pembrugge who died aged 15 in 1375; he was the son of Sir Richard Pembrugge of Clehonger Manor. Two memorial slabs were kept, and they were for members of the Aubrey family who also had Clehonger Manor from 1600 to 1794, when the Manor suffered a dreadful fire.

Font

Memorials

Sir Richard Pembrugge

There is an effigy of Sir Richard Pembrugge who died in around 1346. He is dressed in full armour with a sword on his left side, and his shield with his coat of arms on his left hip. His right hand holds the hilt of a dagger. At his feet is a dog. Sir Richard Pembrugge married Petronilla and they had three children – Hawisia, Amicia and Richard, who was knighted by Edward lll. He married Elizabeth, the widow of Gerald de Lisle and they had one child, Henry who died in 1376 – the same year as his father.

Petronilla also has an effigy in the church, and the figure is about 4 feet long, so presumably she was tiny; she is depicted wearing a gown with buttoned sleeves and a belt, and has long hair. At her feet is a bird, and nobody seems to know what this is although it’s possible that it is a stormy petrel given the appearance of it’s beak, and Petronilla’s name may be a clue to this. She died around 1348.

Another memorial is to John Matthews and his wife Elizabeth – daughter of Aurthur Ellis. Also their eldest son William Hoskyns Matthews who was one of 14 children.

There are two magnificent brasses which depict Sir John Barre who died in around 1482, and his second wife Joan, widow of Robert Greyndour. Joan died in 1484. Sir John Barre’s great great grandfather was Sir Thomas de la Barre who married Hawisia, sister of Sir Richard Pembrugge K.G. This was when Clehonger Manor went from the Pembrugges to the Barres.

In the churchyard are some interesting finds – Three members of the Phillips family who were all blacksmiths; John who died 1771, James in 1850 and Thomas in 1859. Then there are four brothers in the Taylor family – Thomas aged 20 who died 17th July 1813 after being hit over the head by a club. He worked as a groom for Colonel Matthews of Belmont House, and one night on arriving home quite late he yelled to be let in; eventually he forced his way in and was hit by the Coachman rather forcibly. He died a few days later. Two years later, three of his brothers died from drowning – John aged 32, William aged 27 and James aged 25. “Where by the sinking of a boat, in which they were returning from their daily labours, were unfortunately drowned in the River Wye, on the evening of 10th March 1815, leaving three widows and ten helpless children to the protection of that providence whose Mercy extends over all His Works, but whose ways are inscrutable to man”.

A visit by the Cambrian Archaeological Association in 1867

The party came to Clehonger church where they found several objects of interest;  the effigy of Sir Richard Pembridge in the north side of the church which was in a remarkable state of preservation.

Another effigy was the  monument to a lady of the Aubrey family dated 1576;  nearby were stones to the memory of a brother and sister of the late Archdeacon Prosser.

The tower of the church was of a very early date, opening out at the nave which is chiefly remarkable for its massive and handsome timber roof.

The altar cloth was a nice example of needlework by Miss Blencowe, and some communion linen, the work of Mrs Smith a lady of the neighbourhood, and Mrs. Walker of Hammersmith, was also admired.

The architect was F.R. Kempson of Hereford, and the contractors were Messrs. Collins and cullis of Teewkesbury.

The organ chamber on the north side;  the entrance porch on the south and the roof of the chancel and nave were completely replaced, and the church was re-seated with open oak sittings with neat cushions;  the floor was laid with Godwin’s celebrated encaustic tiles.  The pulpit was removed from the north to the south side of the church, and the original gallery at the west end was removed so that the tower was open to the body of the church.  The new tower and spire were much admired.

During restorations, the remains of a Saxon structure were discovered, but the present building was erected in the 12th century.

Font

The bowl of the 13th century font in All Saints, Coddington, is a modern replacement due to extensive damage.

Memorials

Edward Martindale Vale, Francis Villiers Vale

Edward Martindale Vale who died at sea on 21st January 1880 aged 24. Also Francis Villiers Vale, Chief Officer of the “Melbourne” who drowned at sea on 20th September 1886 aged 27 by capsizing of the ship’s lifeboat whilst he was gallantly try to rescue a sailor who had fallen overboard. They were the 2nd and 3rd sons of Major H. E. Vale

Font

The church at Monkland had fallen into a ruinous and dilapidated condition, and was restored in 1865;  the architect being Mr. G.E. Street of London.

The chancel was rebuilt at the cost of the vicar, the Rev. Sir Henry Baker, Bart., and the nave and other parts of the church were funded by parishioners and friends.

An excellent organ was built by Mr. J.W. Walker of London;  the instrument has a wonderfully soft yet powerful tone.

The new reredos and eastern window were much admired, but there was still much work to be done and fund raising was carried out throughout the remainder of the year

Aylton church originally accommodated between 40 and 50 people, and was used as a “chapel of ease” to two other adjoining parishes.  It became clear that it was not big enough inside, so in around 1870 two of the old pews were removed from the chancel, and they were replaced by open sittings.  This reduced the considerable size of the pulpit and reading desk.

A harmonium was also installed.

The alterations were paid for by the Rev. W.J. Morrish.

The patronage of Aylton Parish church runs alongside the ownership of Court Farm. First records show Robert Bray as owner in 1276, and then in the 16th century it belonged to the Walwyn family who lived at Hellens, Much Marcle (just down the road). The Harley family from Brampton Bryan, Knighton, took over in 1619 until 1900 when the Dean and Chapter of Hereford Cathedral became patrons of the living, and so it remains to this day.

Font

The date is somewhat uncertain, but it is possibly Norman.

Font

This replacement church was consecrated in 1864

In 1840, plans and specifications for the building of the new church were available to be viewed in the offices of solicitors, Messrs. J. and R. Higgins in Ledbury.  Tenders were invited for the work, and the land was given by Thomas Heywood of Hope end, who also gave all the necessary funds for the building as well as the stone for construction.

The Opening of the New Church – 15th July 1841

By 1841 the new church was completed; and was opened in July on a glorious bright and sunny morning.  Indeed, the lovely weather held out until the whole ceremony was over, and then the heavens opened with torrential rain and thunder.

It is worth noting, that this was the first church to be consecrated in Herefordshire for over a hundred years.

The procession began at eleven, from Hope End, the house of Thomas Heywood;  the Bishop was attended by thirty clergymen of his diocese, and a large number of gentry and yeomanry along with many elegantly dressed ladies, added their weight to the proceedings.

The inhabitants of Wellington Heath said that they had never seen anything so grand.

The Rev. James Watts of Ledbury read the prayers, and the Bishop performed the service;  the Very Reverend the Dean of St. Asaph preached the sermon, and it was declared to be the best and most appropriate ever heard, with the congregation listening with rapt attention.  He strongly reprobated the Mormonite leaders “who endeavoured to persuade their followers that the New Jerusalem, mentioned in the Holy Writ, alluded to an earthly city, and urged the poorer part of his audience not to be led astray by such dangerous and ridiculous doctrines.”

Afterwards, the congregation went out into the churchyard, where under a poplar tree the Reverend Prelate spoke the beautiful service to hallow the ground where people were to be buried.

Thanks were given to the architect, Mr. Matthews of Ledbury.

 
Christ Church was not exactly pretty in its early form, but gradually the building was enlarged and improved. Sadly, in May 1944 fire destroyed the roof and some of the interior, and it was not until the late 20th century that money became available to fund the building of a new church.

Font

Survived from the original church

The church of the Holy Rood suffered flooding in 1811, after which it was modified and then further restored in the late 19th century.

In 1864  a wonderful new organ was installed – it was a testament to the esteem in which the Rector at the time was held;  only a few months earlier he had expressed a vague wish that the church should have a new organ, and immediately the necessary funds came pouring in.

It was made by Bevington and Son of London, and was judged to have an excellent tone.

In 1851 Bosbury Church was re-opened after restoration work.  The roof of the chancel was raised and supported by open woodwork;  four stained glass windows, each showing an emblem of the Trinity, were inserted, and a lovely new pulpit and reading desk were added.

Holy Trinity at Bosbury is one of seven churches in Herefordshire to have a detached bell tower, and this one is massive. It was built in the mid 13th century, and was probably more of a refuge from the invading Welsh than a bell tower as the walls are extremely thick and the windows narrow.

Font

Foundation stone laid for new church

In 1849, on the 12th June, the foundation stone for the new church in the township of Hardwick and parish of Clifford was laid by the Rev. T.W. Webb of Tretire amidst much ceremony.

The Rev. Mr. Clay of Exeter officiated as priest in the order of service, assisted by the Rev. W.N. Penoyre who gave out the 100th Psalm which was “sung with good effect”.

Consecration of new church

in 1851, the ceremony of the Consecration of the District Church of the Holy Trinity took place on 3rd September.

The sky was blue, and the weather perfect.

Description of Holy Trinity

“The church which consists of a nave, clear storied, with aisle up the centre, chancel and vestry, is built in hewn stone in the early English decorated style prevalant in the 14th century, with exquisitely stained glass windows.  It is calculated to accommodate 15o persons”

“On entering the church the effect caused by the entire absence of galleries and by the lofty and high pitched roofs, is exceedingly striking.  The roof timber is all of the best heart of oak.

Font, worked by Edwin Hughes

In the mid 19th century the church was closed in order that general restoration could be carried out, and it was subsequently re-opened on 16th September 1858.

The church had been in a dreadfully dilapidated state, and was stated to be “a tasteless and bad copy of Palladian architecture”.  It was in fact in such a bad state of repair that it was positively dangerous – after one service a part of the heavy plaster ceiling fell down.  Many of the windows were decayed, and much of the interior was classed as “inappropriate”.

The character of the church was completely changed by the restoration, and it became a good example of early Gothic architecture, with a completely new roof of open construction;  new stone windows;  open sittings instead of the high pews;  a new pulpit and reading desk and a new communion rail carried on decorative standards, illuminated with gold and colour.

Madley church fell into a very poor state of repair, and in the 1870s was partially restored.

The roof of the tower;  nave;  north and south aisles and porch were taken down and any rotten timbers were repaired or replaced with oak timber grown in Madley.  This work was done by day workers and not contractors, which although was money saving made the restoration rather long winded.

During further restoration, Norman remains were found in the north porch, and the west wall of the Chilston Chapel is also Norman.  After this discovery, the architect Mr. Kempson of Hereford, examined under the floor of the church and found the foundations of a Norman church.  He also discovered that in the 14th century the edifice went through many alterations and additions……including the raising of the north wall and the addition of three large windows.

The restoration included a partially new pulpit which was much bigger than the original one – it was made and carved by Mr. Mewrrick who used all of the old oak and adapted new pilasters to the old panels.

The private pews for the Lulham family.

Font

Another of Herefordshire’s enormous old fonts – in fact this is one of the largest in the country, and is nearly 1000 years old, bearing quite a resemblance to those in Kilpeck and Bredwardine.

Memorial

Tomb of Richard Willison

Epitaph for John Lewis

Died 6th January 1797 aged 79

This earth on earth did lately tread,

This earth in earth has made its bed,

This earth in earth shall closely stay

Until the resurrection day.

Jacobean Font

More modern Font

Font

The font at St. Andrew’s church is ornately carved, but compared to most others in the county is relatively modern, being late nineteenth century.

Memorial

Edmund Pateshall

This memorial plaque shows Edmund Pateshall, 2nd son of Scudamore Lechmere of Fownhope, who died 4th November 1790 aged 42.
Other monuments in Allensmore church include two to Arnold Burrell who died 1787 and to Mary Burrell who died 1815; a 14th century slab set in the floor dedicated to Sir Andrew Herl and his wife Joan; a monument for Mary Berrow who died 1775, along with other members of her family.
The Pateshall family lived at Allensmore Court for many years and the windows in the nave of St. Andrews are a memorial to Col. Henry Evan Pateshall as well as Rev. P.M. Symmonds; Eliza Bent and Elizabeth Symonds.

The original church at Bredenbury was described in the middle of the 19^th century as being old and dilapidated, and with the unification of Bredenbury with nearby Wacton a new church was deemed a necessity.

An explanation in 1877 was reported thus:

“Bredenbury Church, which has now been taken down and the materials used in the construction of the new edifice, was inconveniently and somewhat singularly situated, its site having been in front of Bredenbury Court and only a few yards distant from it.  The desirableness of removing the church and of uniting Bredenbury and Wacton for ecclesiastical purposes, having been recognised, steps were taken to rebuild the church on a similar but enlarged plan, and Mr. Barneby (owner of Bredenbury Court) in addition to other acts of great liberality, gave a site of about a quarter of an acre of land near to the school.”

“Mr. Martin Curtler of Worcester who is also a large landowner in the district, readily identified himself with the scheme and rendered bountiful assistance, and the work of course enlisted the fullest sympathies of the rector, the Rev. C. Bridges.  The foundation was laid on 6^th April last year and the church is now complete, but it is not yet free from debt.  The cost, exclusive of the materials of the former edifice valued at £300, is about £1,100. “

In 1877 the newly built neat and substantial church of St. Andrew was consecrated and opened by the Lord Bishop of Hereford, the Right Rev. Dr. Atlay.  Work was put on hold by the villagers  and they crammed into the church – even with extra seating being provided there was not room for everyone, and despite a bitterly cold east wind blowing, crowds filled the road outside the church.

Font

Pulpit

The lovely marble pulpit in the church of St. Andrew was erected in memory of Barneby of Brockhampton, MP, and Susan his wife, who died 18th December 1850. Erected by W.H. Barnaby, their son

Memorial

Plaques for the West family.
The left hand plaque is for Richard died 18th December 1800 aged 77, also Ann his wife who died 16th April 1810 aged 68. Also Hannah and Ann, their daughters, who died respectively – 24th December 1768 aged 6 months and 6th June 1777 aged 7. The middle plaque is for William West, who died 19th January 1807 aged 85. The final one is for Richard West who died 19th February 1748 aged 72 and his wife Hannah who died 17th September 1761 aged 79

The tower of this church is in a somewhat strange position, and it encroaches on the nave on the north side, which looks a little odd from inside.  However, it is thought that the tower is perhaps of an age before the rest of the church, and it could have been a watch tower for the nearby castle (now non existent), with a small chapel attached.

Font

The font at St. Andrews is late 12th century  is huge and is carved from a single block of stone.  The oak cover is of a later date, around 17^th century

Memorials

Walter Baskerville

A damaged effigy, dating around late 14th century, thought to be Walter Baskerville (Lord of the Manor) who died in 1369 and would seem to have been huge!

Sir Roger Vaughan

Alabaster effigy, believed to be Sir Roger Vaughan who died defending King Henry V at the battle of Agincourt in 1415.

Henry Davies

Henry Davies, died 30th November 1770 aged 73; also Margaret his wife who died 11th March 1788 aged 87, and Catherine their daughter who died 7th July 1762 aged 29

Font

Within the church of St. Andrew is a very well preserved bier

Memorials

Elizabeth Makeam

William Makeam

Elizabeth, wife of William Makeam, died 11th June 1785 aged 47. Also William, died 18th August 1815 aged 82.

Elizabeth Meats

William Meats

Elizabeth, wife of William Meats, died 23rd May 1832 aged 58. Also William who died 7th December 1833 aged 6

This little church was not always such a pretty sight

Back in the mid 19th century, it was reported that

“the probability is that a large percentage of the number who visit this charming spot never dream that within a very short distance of them when they are overlooking the Holme Lacy side of the hill, there nestles a little church, hidden from view by trees.

Many times perhaps, they have heard the very humble tintintabulations of the bells and wondered where the sound came from, and on inquiry found it proceeded from Dinedor Church.

Others have been more curious and have explored the spot where the church is hidden.  If they did, we fear that in some respects they were much disappointed;  for instead of seening that neat little building, comely and clean, holy and solemn in its quietness, which rises in the mind at the thought of a rural parish, a dark grim looking, uninviting edifice stood before them, though it seemed a matter of doubt how long it would stand.”

The old church was dreadfully dilapidated, with dangerous walls and an all pervading dampness.  The gallery and pews had nothing to recommend them and all in all the church did not do justice to the beautiful surroundings in which it nestled.  After close inspection, it was decided that the church was in such a bad state that restoration was not possible, and the only option was to rebuild the church entirely – to a similar size and character, and using as many of the old materials and features as possible.

The Rebuilding of Dinedor Church

On a Monday in June 1867, the foundation stone of the new church was laid under a cloudless sky.  Most of the 250 parishioners gathered to witness the ceremony’

The new church would have completely new flooring, with wood under the seats and encaustic tiles elsewhere, sourced from Mr. Godwin’s works at Lugwardine.

The seats in the nave, the pulpit and the stalls as well as the altar table would all be new, and the roof would be slated and not tiled as the old one was.

The interior walls would be finished with Ashlar stone from Sir Edwyn Stanhope’s quarry at Ballingham, and heating would be provided by one of Rimmington’s apparatuses.

The tower would not be raised higher, and it was hoped that there would be enough funds to put a new arch within it.

All in all, the style would be of 13th century, with the builder being Mr. T. Stone of Fownhope and the cost was estimated at between £600 and £700.

Font

This Norman font has the most beautiful Jacobean lid.

Memorials

Margaret Dobyns

(Unreadable) Monument to Margaret Dobyns who died in childbirth in 1658

Catherine Dobyns

(Unreadable) monument to Catherine Dobyns who died aged 12 in 1710

The organ is well over 100 years old, and given that Sir Edward Elgar composed some of his works when at one time he lived close by, it is more than possible that he made use of this organ from time to time.

In 1911 Bishop Mather who was the incumbent of St. Andrew’s church, traveled to the West Coast of Africa to take up the duties of the Bishopric there for a while. Before he left he wanted to enhance the beauty of this little church, and on his instructions the chancel and sacrarium were paved with a mixture of Sicilian and Devon marble. The steps were black marble, and the vestry was rebuilt by Mr. J.E. Hiles to make it bigger, and new heating was installed.

Thomas Evans, the principal landed proprietor of the parish in 1867, was not happy to merely build his own beautiful mansion, but in conjunction he almost entirely funded the renovation of the church as well as donating the land for the enlargement of the building.

St. Andrews church was in a dreadfully dilapidated condition, but the rebuild was in keeping with the original style, with a brand new, plain,  font in Bath stone, and a beautifully carved oak lecturne.

The new organ, a gift of Mrs. Evans, was quite small and was placed in a recess at the south west angle of the nave.

The principal feature of the restoration was the new tower and spire, made of stone and considered extremely beautiful with the spire having a gilt cock with vane.

There was only one bell but the tower was built to accommodate a peal of five bells, and the parishioners were working to raise the money to pay for them.

This is an absolute gem of a church, and the interior is simply glorious with its medieval woodwork.

Font

The painted octagonal font is in Early English style.

Font

In the churchyard of St. Andrew’s Church is a font which is probably late 12^th century.  The bowl is round but broken, and the upper part is destroyed.

At the time, the church was described as a very small but good specimen of early English architecture;  the original and very rude chancel screen was restored by Mr. Collins of Tewkesbury from designs of Mr. Bodley.

Earl Somers provided much of the finance for the work, although the Rev. John Hopton of nearby Canon Frome Court also helped out by paying for the renovation of the interior and exterior walls.

Font

Font

The font of St. Bartholomew is dated 13^th century, so was from the original church.

Memorials

Inside the church is a fascinating coat of arms, which are those of 15^th century Plantagenet monarchs with the Royal Arms carved back to front – it is believed that Margaret of Anjou (Henry VIs queen) had them made after the House of York was declared to be traitorous .

In the early 19th century the church was in a state of extreme disrepair, and in places was almost disintegrating;  the seating inside was nothing but a strange collection of boxes, whilst the font and pulpit were described as “shabby”.

Restoration of Holmer church

Restoration was finally undertaken under the supervision of J.H. Evins a Hereford Architect in the mid 19th century, although because the chancel was not controlled by the parish, that part of the church remained unaltered.  However, the Rural Dean made an arrangement with the Dean and Chapter so that he could restore the chancel and he commissioned Mr. Seddon (who restored Llandaff Cathedral) to do the work in due course.

The rest of the church masonry was renewed where necessary, and repointed;  the 14th century south porch which was falling down was replaced with a wood and stone structure made in a similar style.

New oak doors were added to the redressed stone of the doorway, and the porch floor was give Godwin’s encaustic tiles.

The old tower, which is detached from the church was repaired and renovated, and was given a new oak door.

The roof of the nave was stripped and repaired, and a great many other improvements and renovations were made, including the installing of lovely stalls with carved finials and the replacement of the old trough like font with a carved octagonal one made of Painswick stone.  Similarly, the old wooden 17th century pulpit was replaced with a decorated and carved stone one.

The cost of all the improvements was almost completely met by Holmer residents, and the church of Bartholomew was re-opened in the early Summer of 1860

Holmer Church – a poem by J.H. James

5th August 1863

The village nestles on a gentle hill,

With quaint old church beside the beaten road,

where mouldering bones the quiet graveyard fill,

All frail and equal in their last abode.

Gone from the world, its trials, and its tears,

No tumult mars the slumbers of the dead;

Affection’s hand record their names and years,

And friends revere them in their lowly bed.

If pride, ambition, or a meaner aim,

E’er once engross’d the animated breast,

The chill of Death hath quench’d the flickering flame,

Desires, regrets, delights are all the rest.

Like the dried channel of an ancient stream,

Where wave nor wind disturbs its late bright face,

Abruptly ends life’s brief and anxious dream,

and solemn silence marks its former place.

Blanch Mortimer

Within the church is the tomb of Blanche Mortimer b. c. 1316, the youngest daughter of notorious Sir Roger who ousted King Edward 11 and ruled England for three years.

During 2013, restoration work began on this tomb, and workers were amazed to discover a lead lined coffin within the tomb within which are believed to be the remains of Blanche. If this is indeed the case then it is most unusual as bodies were buried in the ground beneath the tombs normally.

Blanche’s likeness is carved out of Painswick limestone, and her delicate hands cradle a rosary whilst she wears a loose fitting gown and headdress.

Although the coffin has undergone endoscopic examination, it will never be opened due to the Church of England policy of not interfering with human remains – a policy with which I wholeheartedly agree.

Font

Mid 12th century font

Memorials

The Grandison tomb, exquisite European Renaissance carving, but sadly damaged by damp and even more sadly, by vandalism

Effigy of Walter de Helyon

Walter de Helyon was part of a noble family who owned  the Manor in the village of Much Marcle, now know as Hellens.

He died in the mid 14th century, and this effigy is gloriously colourful, being made of painted oak.  The paint was restored in 1971 due to damage by damp.

Hamlet inscribed stone

The inscribed stone for Hamlet, with the wooden covering which shows the inscription “Hamlet, Prince of Denmark 362AD”

Font

The font in St. Bartholomews is dated circa 1400s

Detached Tower

The detached tower next to St. Bartholomew’s church is thought to be 13th century and was possibly built as an extra defence for the castle

In 1866 the church was re-opened, and the ceremony was a very low key affair – partly because of the limited space inside, but also due to deference to the wishes of the Bishop who had recently suffered the loss of his wife and didn’t want to attend large public occasions.

Before restoration, the church was described as being “redolent of whitewash and plaster with a ceiling undulating like a mole field.  The knave was encumbered with pews of an old fashioned style, not inaptly denominated by the term horse box. ”

The pulpit was considered ugly, and the floor had sunk so much that it was becoming very damp;  the whole building was in a very dilapidated condition.

Following restoration, the tumbledown porch had been carefully restored, and the old door mended;  the font had been moved and put on a sandstone base, then fitted with a spiral cover of parquetrie work raised by a cord and weight.

The nave was given new oak benches, and the new pulpit was thought to be very elegant.

Many other improvements, repairs and replacements were carried out and everyone declared the result to be most satisfactory.

During restoration, many relics were found including an incised cross of great age.

During the ministry of a Rev. Beresford Lowther, vicar of this church from 1836 to 1868, a great deal of alterations were carried out – he was a very wealthy man and owned a house in London as well as living in the Rectory at nearby Turnastone. During these renovations which seem to have been rather detrimental to the building, many monuments and shields were destroyed or obliterated by whitewash, including some for the families of Hoskyns, Somerset, Russell, Boughton, Morgan, Parry and Vaughan, who were all land owners in the Golden Valley. Some monuments did survive including that in the memory of Lord Arthur Somerset who died 1st June 1743 aged 72, but it is rather sad that there are two arched recesses which must surely have housed tombs………..there is no known record of who these belonged to, or indeed what happened to the tombs.
The Rev. Skeffington Hume Dodgson was vicar from 1895 until around 1910, and he was the brother of Lewis Carroll of Alice in Wonderland fame.

Font

The font at St. Bartholomew has a Norman bowl made from local limestone. The cone cover might be 18th century

Memorials

Below the 17th century chancel screen is a carved board “Heare below ly the body of Thomas Hill ande Margret his wife whose children made this skryne”.
Some of the Shields were restorable, and others were later added – these are the names on some of them:

Lady Arthur Somerset d. 1724, wife of Lord Arthur Somerset of Poston, youngest son of Henry 1st Duke of Beaufort.
Lady de la Revere Morgan, wife of Sir Thomas Morgan, owner of Chanstone.
Blanche Brydges of Tyberton
Brabazon Lowther
Rev. John Salter
Col. Mountjoy Martin
Rev. Archer Clive of Whitfield
Herbert Howoth of Whitehouse
Francis Appleyard
Sir Edward Boughton Bart. of Poston

Rowland Vaughan of Whitehouse dated 1613
George Lowther
Laura Lowther
Lord Saye and Sele
Lee Warner of Tyberton

John Parry of Poston
Sir William Russell, Bart. 1712
Lord Arthur Somerset of Poston
James Webb of Monnington

Most of the old gravestones in the churchyard have weathered so badly that they are unreadable, but in the mid nineteenth century much harder stone was introduced and these stones have survived well.
It is a delight to note that some of the churchyard has been left largely unattended as a haven for wildlife.

Restoration of St. Bartholomews

The Rev. W.H. Lambert along with the Rev. A.F. Denham were responsible for raising funds, and the parishioners as well as people from neighbouring villages generously gave everything they could.

The Church before Rebuilding

There was a large dilapidated western tower, with nave and chancel, which had been reconstructed in the 17th century from materials from a 15th century building. The wet clay beneath the foundations had caused settlement which had meant rebuilding of the tower arch. In the 14th century, a chapel with its own altar was added.

Within the south chapel lay the founder’s tomb and effigy, and an alabaster slab with male and female figures engraved, along with their sixteen children. Another pair of badly damaged effigies was on the chapel floor.

The Church After Restoration

The work entailed building a new, bigger chancel; a vestry on the north side of the nave (accessed by a doorway which once led to the winding stairs of the rood loft which was found when pews were taken out.)

A new roof was put on the south chapel and the north wall of the nave was rebuilt with a restored roof. A new south porch was built, and all the floors and fittings were renewed.

The stone pulpit with marble columns was obtained from Brough in Yorkshire.

Most of the woodwork was pitch pine, stained lightly, but the altar, rails and lectern were of oak.

Godwins tiles were used for the floor, and the church was heated by a Gurney stove.

The restoration of the tower could not be included in the work as there was a huge amount of work to be done on it and the funds just would not stretch to it.

Re-opening of the Church

In 1867, after seven months of closure, this church was formally re-opened.
The weather was atrocious on the appointed day, but nevertheless large numbers of parishioners attended.

Font

The original church was Norman, but was rebuilt in the middle of the 19th century, and in 1863 the Lord Bishop of Hereford consecrated an additional burial ground.

In September 1924, two new bells were dedicated at the church, making a full peal of eight bells.

Font

The original chapel, built in 1840, was extensively renovated by Prebendary William Poole. He left the old Chapel as it was but encased its walls with red sandstone. Internally, the central pillars are of French and Cornish marble, set upon solid bases of green marble. The white marble altar sports Lapis Lazuli, and the whole interior was inspired by the Cathedral of Le Puy in France. This is one of Herefordshire’s most unusual churches.

The photo below was supplied by Michael Lever of the Ledbury History Society and shows the cloisters

St. Clydog church dates from the 12^th century, and is dedicated to St. Clydawg, King of Ewias who was martyred about 500AD over whose tomb the church was built. .   It has a large 15^th century tower which was not only used as a bell tower but also as a defence against the marauding Welsh.

Restoration of St. Clydog church

In 1919 the church was re-opened on 10th December by the Bishop of Hereford.

The Bishop said that preserving churches such as this was of national importance as they stood as a witness of the centuries.

There had been many previous restorations, starting with one during the Norman period and the 1919 restoration was long overdue as the church was in an appalling state, with half the seats broken and the flooring in a dangerous condition.  Many of the windows were broken and the heating was non existent.

A restoration fund was opened, and it was hoped that the work would come to no more than £1000, but the estimate was soon increased and the bells scheme had to be shelved altogether.

However, although in 1919 some work still needed to be done, the congregation at the re-opening loved not only the beautiful setting, but also the old oak pews;  the decker pulpit;  the Jacobean communion table;  the stone font;  the ancient mural tablets and the deep set windows.

Tomb of Guinnidas

This church boasts  9^th century stone inscribed in Latin – “This tomb holds the remains of the faithful and dear wife of Guinnidas, who was herself a native of this place”.

There is a 17^th century  three deck pulpit which dates from the 17^th century and is believed to be one of the best in the country.

Font

The font in St. Clydog church dates from the late 13^th century

The church at Stretford is dedicated to St. Cosmas & St. Damian, the patron saints of Physicians and Surgeons,  and is one of only five such dedications in England.  It is set in beautiful countryside next to a farmyard and the building is Norman, with later additions.

The building is rather unusual in that it is rather more square than oblong.

Font

The font is simple and possibly dates from the early 12^th century, although it has been slightly restored.

 
The East window is in memory of Edwyn Francis Brydges Scudamore Stanhope – who died in 1855 in Hong Kong. A window in the south wall is in memory of William Pitt Scudamore Stanhope, who was vicar at this church from 1872 until 1892. The eight bells in the tower were presented by James, Viscount Scudamore in 1709. The monuments to the Scudamore family are many, and all are impressive – they included John Scudamore who died in 1571 and his wife Sibell Vaughn of Hergest; James, son of the first Lord Scudamore who died in 1668; his wife, Jane Bennet; Dorothea, Countess of Chesterfield who died 1923; Mary Scudamore-Stanhope who died 1859; Frances Fitzroy-Scudamore, died 1749 and her daughter Frances who later became Duchess of Norfolk who died in 1820; Captain Evelyn Theodore Scudamore-Stanhope (1862-1925); John Scudamore, first Viscount of Sligo and Baron of Dromore in Ireland who died in 1716 aged only 33; Henry Athole Scudamore-Stanhope, 11th Earl of Chesterfield who died 1935 ; Chandos Scudamore-Stanhope Captain RN, who died in 1871 whilst in active service; Arthur Chesterfield Scudamore-Stanhope, died 1841 aged 8. There are 9 vaults underneath the church, where John Scudamore (died 1571 and his wife plus other members of the Scudamore family are buried. Other memorials, are for the Revd William Dowel, died 1826, vicar of this church; Jack Hayward and Thomas Biggs who died on active service in WW2; Thomas Braithwaite who died 1819, who ran the estates of the Duke and Duchess of Norfolk; the Revd Richard Walwyn, vicar of this church who died 1823

Font

This font is thought to be 17th century and was provided by the Scudamore family.

Memorials

The monuments to the Scudamore family are many, and all are impressive –
Frances Fitzroy-Scudamore, died 1749 and her daughter Frances who later became Duchess of Norfolk who died in 1820 ; Captain Evelyn Theodore Scudamore-Stanhope (1862-1925); John Scudamore, first Viscount of Sligo and Baron of Dromore in Ireland who died in 1716 aged only 33; Henry Athole Scudamore-Stanhope, 11th Earl of Chesterfield who died 1935 ; Arthur Chesterfield Scudamore-Stanhope, died 1841 aged 8. There are 9 vaults underneath the church, where John Scudamore died 1571 and his wife plus other members of the Scudamore family are buried. Other memorials, are for the Revd William Dowel, died 1826, vicar of this church; Jack Hayward and Thomas Biggs who died on active service in WW2; Thomas Braithwaite who died 1819, who ran the estates of the Duke and Duchess of Norfolk; the Revd Richard Walwyn, vicar of this church who died 1823

James Scudamore

– died 1668, erected by widow Jane. This beautiful marble monument shows James in Roman costume, surrounded by cherubs, garlands and wreaths. (there is also a memorial to his wife – Jane Bennet who died in 1699, which is also in marble and she too has cherubs and garlands)

Dorothea – Countess of Chesterfield. 1827-1923

Jane Scudamore died 21st February 1699 aged 71

Chandos Scudamore-Stanhope

Chandos Scudamore-Stanhope. January 1823-7th July 1871. Died at Malta when in command of H.M. Caledonia on active service. It shows a rock on which are an anchor and chain and a fleet of vessels, from which rises an angel.

Jacobi Scudamore, died 1776

Mary Scudamore-Stanhope

Feb.15th 1789 – Aug. 3rd. 1869, wife of Sir Edwyn Frances (Baronet)

During the 14th century, more renovations and additions were made, and then in the 19th century the church was completely restored.

In 1854 the Much Dewchurch church was reopened after a year of work;  it had been described as one of the most neglected and ill arranged churches in the Diocese but after the restoration all comments were favourable.

It proved impossible to include the top of the spire in the photo!

Font

Memorials

Rowland Scudamore 1697

and his wife who died in childbirth

William Gwylliam

Memorial to William and Jane, son and daughter of Robert Gwylliam. Dated 1698

Margaret Tovey

Edmund Eckley devotes this Memorial to his belov\’d Aunt, Margaret Tovey, wife of Edward Tovey Esq. of Treribble in this Parish, and fifth daughter of Edmund Eckley of Credenhill in this County. She died April 21st 1803 aged 71

In November 1909 Mrs. A.W. Walker laid the foundation stone for the new church, and it was the generosity of herself and her husband (a donation of £1000) and the gift of the site by Thomas Evans, that made the building of the new church possible.

The church provides seating for 112 people, and is of the Early Decorated style.

The font is believed to be mid 12th century.
There has been some restoration.

There has been some restoration.

Font

Memorials

The Gwillims

Gwillim grave enclosure

Memorials

Blanche Parry

Within the church is the most magnificent monument to Blanche Parry – the Chief Gentlewoman of Queen Elizabeth’s Privy Chamber, and also the keeper of the Queen’s jewels as well as being her confidante.  She was actually buried in St. Margaret’s Westminster, but whilst alive had expressed a wish to be interred at Bacton, so with this in mind the monument in St. Faith was made in the late 1500s.   Sadly for Blanche, she remains in Westminster and the tomb at Bacton is empty, but it is hugely important as it is the earliest known depiction of Elizabeth 1^st as an icon……..as Gloriana.  On the monument Blanche is kneeling, with Queen Elizabeth playing the role of St. Faith.

Elizabethan Altar Cloth

The altar cloth at Bacton has been on display since 1909 and it has long been known that it was given to Blanche Parry in around 1590 by Queen Elizabeth.

It was recently discovered after extensive research, that the embroidered cloth is strikingly similar to the fabric of a dress worn by the Queen in the Rainbow Portrait in Hatfield House, and it is believed that the altar cloth could have been taken from her skirt.  The cloth has been positively identified as being 16th century, and it is virtually certain that it did indeed come from the Queen’s dress – it is insured for £1 million pounds but is thought to be worth far more and sadly for Herefordshire it has been taken to Hampton Court in London for preservation.  Probably a wise move though, and a replica will take its place in Bacton church.

Font

The bowl of this font is relatively modern, but the base is thought to be 14th century.

Memorials

Thomas Prosser M.A. died March 5th 1843

Ann Prosser died February 14th 1845

In 1867 the 13th century church was re-opened after extensive renovations by Messrs Welsh and Son of Hereford with the supervision of the Architect Mr. W. Chick. It seems that prior to this renovation, the building was in a severely delapidated state; the stone floors were damp and the wood rotten, whilst the walls were crumbling with decay. More worrying was the fact that the timbers in the belfry were so rotten that that area was completely unsafe. However, following the work, this little church was transformed with even the original font being carefully restored.

There are eight 17^th century grave slabs made of cast iron which are early examples of ironwork and rather rare.

Inside the vestry are two dug-out chests dating from the 13th century, and a tablet bears testament to the fact that in 1956 Mr. Rodney Proctor of Cincinnati, whose great grandfather and great great grandfather were vicars during the 18th century, restored the church totally.

In 1867 the chancel of Orleton Church was re-opened after rebuilding and restoration, so that the whole church was complete, and was said to be a good example of what a village church should be – simple, substantial and handsome.

The nave was completed two years earlier, being re-opened for service in February 1865.

Font

The font in St. Giles dates from the 15th century, though sadly shows some damage sustained during the Reformation.

Memorials

Henry Brace

Henry Brace, died 9th May 1773 aged 72. Also Ann his wife who died 5th April 1767 aged 75. Also their son Henry who died 16th June 1773 aged 39 and Ann Racster their granddaughter who died 20th August 1782 aged 19. Also Richard, son of Henry, died 22nd September 1785 aged 49

Thomas Heming

Thomas Heming died 19th September 1777 aged 38, also Mary his wife who died 26th April 1776 aged 38 and Mary their only daughter who died 15th Feb 1834 aged 58. Also their son Richard died 8th May 1834 aged 61, and John Postans Heming who died 2nd May 1845 aged 54 with his wife Harriet on 3lst December 1830 aged 54

Font

The church dates from around the early 15th century, when it was a cell founded by the Alien Monks from Normandy.

In the 1800s the little church was in an advanced stage of decay and restoration thankfully kept it going until it was  again restored in 1955 as a memorial to the wife of a private benefactor.

Charmingly, all services are conducted by candlelight, as there is no electricity.

Font

The font in St. James is early 15th century and is octagonal in shape.

St. Augustine’s Chair

Within the church in the chancel sits St. Augustine’s Chair, which is said to have been used by St. Augustine 1400 years ago, although this is unproved. On it is a brass plaque with the inscription”The traditional chair upon which St. Augustine was seated at the historic conference with the British Bishops at the Second Synod AD 603″.   The chair left the church in 1885 when it was purchased by James Johnson, and on his death it went to the Canterbury Royal Museum.  It was returned in 1943.

Font

The font in St. James is 13th century

Memorials

Anna Freeman

wife of Francis, died 12th December 1802 aged 32, and also Sarah their daughter – 2nd May 1815 aged 14

Francis Freeman

died 2nd September 1815 aged 57

Font

relatively modern font

original font late 12^th century

Memorials

Richard Wight

Richard Wight, died 31st December 1821 aged 41. Also Mary Maria his wife who died 17th September 1859 aged 74

In December 1903 fund raising efforts for a new church organ were well under way, with a sale of new and used clothes – tea and entertainment provided for a small cost!  In 1907 the Vicar held a fete at the Vicarage which proved a great fund raising success and the opening of the new organ finally took place on 14th August in that year.

In 1954 however, an auxiliary organ which was used for years in Bolton Abbey parish church in Yorkshire was gifted to the church.

Further rummage sales took place in the ensuing years to help pay for the Nave roof.

Font

The font in St. James the Great is circa 13th century, but has been extensively renovated

Memorials

Nicholson Peyton died 19th August 1841 aged 58. Married 25th October 1811 Eliza, daughter of Thomas and charlotte Griffith. AlsoCharlotte, eldest daughter of Nicholas, died 6th September 1842 aged 29. Also Charles William, 4th son of Nicholas, who died in London on 29th March 1849 aged 26. Also Reynolds, eldest son of Nicholas, died 17th January 1861 aged 47. Also Eliza, widow of Nicholas, died Eastbourne on Christmas Eve, 1861 aged 75.

 
Memorial to the parents of Humphrey Walwyn, who founded the Grocers School now know as The Elms, Colwall

 
Richard Brydges died 18th December 1750 aged 58. Also Thomas Brydges died 9th July 1765 aged 61.

 
A lovely brass of 1590, commemorating Elizabeth Harford and her six sons and four daughters. Unfortunately, as with many of the altar images, the lighting made a good photograph difficult

In 1864 the church was falling into disrepair, but the Rector, the Rev. Renn Hampden went a stage further than mere repairs, and he commissioned Sir Gilbert Scott to draw up plans for a rebuilding of the chancel which he paid for out of his own money. Following this, the parishioners helped to fund the rebuilding of the nave.
In 1868 work began on an oak roof, and the stalls were refurbished.

There is a lovely organ in the church which was given by the Rector in 1874, and the tower clock is a memorial to casualties of WW1.

During January in 1934, Canon Frome Church was badly damaged by fire one Saturday night.  Although the Ledbury and Hereford Fire brigades arrived promptly and used water from the lake in the grounds of the nearby Court, the chancel was gutted and the altar, organ, memorial tablets and the valuable stained glass windows were destroyed.

The tower and the chapel were saved by the firemen, as was Canon Frome Court which was a few yards away, and the church was rebuilt in 1860.

Lychgate

Font

Organ

The current organ in the church of St. James replaced that given by Colonel John Hopton in memory of his mother.
This brass plaque has been saved and reads: “To the Glory of God and in loving memory of Fanny Hunt who passed away 18th October 1903. This organ is dedicated by her son John Hopton.
The added Salicional (an organ stop with a soft reedy tone), was given by Sybil Hopton in memory of her husband who died lst June 1934.

Memorials

In most loving remembrance of Sybil Maude Hopton of Canon Frome Court, widow of Colonel John Hopton. Died at Cannes July 3rd 1940. The souls of the righteous are in the hands of God.

 
All these memorials are, unusually, very clear and easy to read.

Font

Memorial

Wall plaque to Thomas, son of Thomas and Ann Walkins, who died 21st October 1850 aged 19

Fonts

Norman – perhaps from the original church building

Possibly 17th century

Restoration of 1862

The old parish church of Yarkhill was descending into ruin, with any original beauty being hidden by thick coats of white or yellow paint which were themselves crumbling.

It was of a plain and simple form, with just a tower, nave and chancel.  The ancient walls were very thick but had little or no foundation so proper foundations were built.

The tower and chancel did not need to be taken down, but were thoroughly restored;  the entire body of the church however needed to be rebuilt, with buttresses etc and proper drainage.

All the interior fittings were cleaned and restored and the ghastly paint was removed.

During restoration, the roof of the nave was uncovered, revealing fine open oak timber work, and more provision was made for the poorer inhabitants of the parish.

Very fine old oak, taken from the decayed church of Coaley in Gloucestershire,  was used for the pulpit and reading desk, whilst the clay floor under the seats was replaced by pine.

The crude font which used to be a pig trough, was kept in the church but a more fitting version was planned.

Church Reopens in February 1863

The building work was beautifully carried out by Messrs Ainslie and Blashill, architects of 11 Old Jewry, London, and was in the style of the 13th century, with much of the original materials being incorporated.

During restoration, an ancient carving was unearthed which now is the key stone over the south doorway.  It has the Crucifixtion on one side with two mourners, and on the other side is the baby Jesus.

Also found was a granite slab dedicated to Francis Stedman.

Preserved monumental slabs included one for a father and son with the name of Lewis, who both married a Deborah;  also, two to the Godsall family, and a marble one for John Cleife who lived at the Castle Cottage in Yarkhill.

Epitaph to Robert Weaver

Died 1728 aged 70

This modest stone, which few vain marbles can,

may truly say, here lies a worthy man;

Foe to contention, friend to harmless ease,

Content he lived within the arms of peace;

Gentle to poor, respectful of the great,

to kindred tender, and to equals sweet;

Calmly he looked on either life, and here

saw nothing to regret, or there a fear;

But died submissive unto nature’s law,

in a strong assurance of the heaven he saw.

Through truth’s assistance, whilst pleas’d angels strove

gently to guard him to the blest above.

In 1890, the church was in the hands of the builders to undergo a thorough restoration up to the sum of £1000.  People were asked to gift a new east window, reredos, altar rail, and above all the removal of the tower and rebuilding of same.  The builder was Mr. Smith of Weston under Penyard.

The much wanted new east window was not dedicated until 1923

Font
The font at St. John the Baptist boasts an extremely rare lead bowl which is possibly unique in Herefordshire.

Memorials

William Cook, died 27th January 1788 aged 69, and also Elizabeth his wife who died 4th September 1811 aged 87

Over the ages extensions were added and renovations were made and a new tower was built in 1715. The Victorians also did some restoration.
There are some amazing wall paintings, dating from the early 15th century which were gradually uncovered in the 1970s.

Font

Probably Victorian

Memorial

Sir John Geers Cotterell, Baronet

One of many plaques relating to the Cotterell family. This one is for Sir John Geers Cotterell, Baronet, son of Sir John Cotterell, Knight (by his wife Anne Geers), died 26th January 1845. Also John Geers Cotterell, 2nd Baronet and grandson of preceding. Born 20th August 1830, and died at Eton College on 17th February 1847

Font

This is possibly the earliest font on show in the country
The story of the old font deserves embellishment. It was found beneath the floor of the Nave when this was being rebuilt in 1851, and the much more modern base was carved early in the 14th century. It was clearly designed for total immersion of babies, and there is a hinged cover with a lock which meant that not only the holy water could be kept safe, but also other valuables. All fonts from the middle of the 13th century up until the Reformation were locked by order of the Archbishop of Canterbury in 1236, as a safeguard against sorcery, and possibly also to prevent “hedge priests” from secretly baptising babies at a fee lower than that of the Parish Priest. The staples for locking the font were removed during the Reformation

This is the modern font, in current use.

Memorials

Charles Somers Cocks

Charles Somers Cocks – 3rd Earl Somers; 2nd Viscount of Eastnor; 4th Baron Somers; 4th Baronet Evesham. Born 14th July 1819 and died 26th September 1883. This tomb is housed in a large family vault where there are very many plaques and memorials to the Somers Cocks family

Charles Wentworth Bell

Charles Wentworth Bell, born Chapel Allerton Nr. Leeds. Warden of this church from 1889 to 1918. Died 20th January 1929 aged 71 after 5 years of suffering.

Staff Capt. Reginald Somers Cocks

Staff Capt. Reginald Somers Cocks, killed by a shell at Ouderdom on 24th April 1918 aged 23. This cross was retrieved from France by the family.

Bertha Mary Gray

A lovely stone angel, monument to Bertha Mary Gray who died 17th November 1900 aged 5. Also Oliver John Gray who was killed in East Africa 9th May 1914 aged 24, and their parents William Valentine Gray who died 3rd March 1926 in Surrey aged 63 and Emmeline Ruth Gray who died 10th May 1939 aged 75

Font

Memorials

Memorials to the Woodhouse family

The main memorial in the centre reads as follows:

Thomas Marrett, son of Thos Marrett, Gent, by Frances his wife, daughter of William Hoskyns of Gent, who died without issue Jan. 2nd 1725, leaving only 2 sisters, Elizabeth wife of Francis Woodhouse of Larpott, Gent, and Frances, wife of Joseph Watts, Clerk – being the last of the Marretts of Aramstone whose settlement there (as appears by Deeds) was earlier than y 1oth of HEN.6

This monument was erected by his nephew, Francis Woodhouse.

Bottom Left:

In memory of Francis Woodhouse Esq., Eldest son of Francis Woodhouse Gent. by Eliza his wife, sister to Thomas Marrett Esq.

He departed this life the 21st day of January 1745 in the 54th year of his age.

Bottom Right:

In memory of Anne, the wife of Francis Woodhouse, daughter and heiress of Thomas Price of the borough of Leominster, by Susanna his second wife one of the daughters of John Wittington of Gent.

She departed this life 14th November 1740 and lies buried in Leominster Church aged 40

The top right and left memorials are bowed, and are difficult to read.

This rather beautiful memorial reads as follows:

To the memory of ELIZA, widow of the late John Woodhouse Esq of Aramstone and Yatton Court in this County, and daughter of the late Rev. William Holcombe, Canon of St. Davids.

She departed this life December 12th 1833 aged 63 years.

This tablet is erected by her grand daughter E.J. Woodhouse Ferguson of Yatton Court in gratitude for her parental care and sincere sorrow for her irreparable loss.

Bier

Original and beautifully preserved Bier

This pretty church was restored in the early 15th century, and then again in the mid 19th century.  It ha a recessed spire.

Font

This highly unusual font is carved out of marble, and the bowl is 12th century and of Italian origin.  The stem is supported by an elephant, but this is of a later period than the bowl which has no drain hole, and was therefore probably a holy water stoup originally.

It was donated to the church by Mrs. Hope-Edwards as a memorial to her mother Mrs. Bradney.

It was built low down in the village and suffered constant flooding from the Gamber brook, despite which it was added to during the 14th, 15th and 16th centuries but by 1864 the decision was made to abandon it and the new Church was built on much higher ground.
By the looks of the ruins, it was vast – but when we visited the problem with flooding was very apparent.

When the new church was built,  the Hereford Times reported thus on the reasons for abandoning St. John the Baptist:

“….the ancient British word Llanwarne is simply ‘a church in a marsh’, and there could not be a more terse and descriptive description of the old edifice which gave the village its name, the only wonder will be that it has taken five centuries to discover the necessity of a new site for the place of public worship.”

The article went on to say that the old church was built on virtually the very lowest bit of ground in the whole parish, and because a hefty stream ran alongside, digging graves was almost impossible as water filled the holes as fast as they were dug.  Also, when opening old graves to add to them, the coffins had to be weighted to stop them from floating.

The floor of the church was raised on numerous occasions, until the doorway was so low that it was almost ridiculous, and there were other damp related problems.

In the middle of the 19th century, the church was in a somewhat dilapidated state.  The Rev. A.G. Douglas took over the living, and found that the church was in a shocking state, and the floor was covered with bits of brick and slate.

The Rev. Douglas Won’t Give Up

He set about restoring the church, making many personal sacrifices to achieve his aims;  the parish was so sparsely populated that little help could reasonably be expected from the villagers.

However, the Rev. Douglas never gave up and although it took 15 years he achieved his aims – the parishioners did everything they could to help raise funds along the way, and did an amazing job considering how few of them there were.  Much of the work though was down to the Vicar and his family, and Miss Vale of Mathon Court.

Reopening of the Church

In 1863 the restored church was reopened, and this was the description at the time:

“A beautifully restored church now invites the parishioners to worship – such a one as we would wish to see in every parish throughout the diocese – indeed throughout the world.  It consists of a nave and chancel, with tower at the east end and open to the nave, the church being built of rubble masonry.  The nave has been denuded of its layers of plaster and whitewash, and the stone work cleaned down and repointed.

The chancel has been entirely rebuilt and the old Norman windows reinserted and filled with stained glass.

The roof has been stripped ; the old stone slabs removed and replaced by new Broseley tiles, finished with ornamental cress;  stone coping being used throughout, and a new stone cross and the elegant old wooden one 0 although slightly disfigured – placed over the gables of the nave and chancel respectively.

Internally, the plaster ceiling has been removed, and a fine open timber roof now looks down on the nave”

The description carried on in great detail, all of it lavish in its praise.

There is an oak chest bound with iron straps and made to hold the parish records. Its bears the names on the lid of the churchwardens, Jo. How, gent, and H. Dangerfield 1698.

The church was thoroughly restored and underwent partial rebuilding, and was re-opened in 1861.

As well as restoration, the tower was rebuilt;  the north aisle was lengthened and a new porch and vestry were added.

The tower is unique, and is constructed of heavy oak;  standing around 60 feet high and with three different stages which are supported by four oak “legs” that once were the trunks of large trees.

A new pulpit and font were erected, and the whole of the interior was renovated.

All the work was carried out sympathetically, and from a building that was nearly in ruins, a glorious little church now graces the countryside of Orcop.

In 1862 it was reopened with great ceremony after extensive renovation.

The old church had been whitewashed and coloured many times over, until eventually restoration was the only answer.

The vicar, the Rev. T.B. Power who was a former headmaster of the Collegiate School in Hereford, was determined to restore the dilapidated old church to its original glory, and the contract was given to Messrs. Pearson & Son of Ross, who built the Ross Corn Exchange.  In total the expenditure was in excess of £1,300, most of which was supplied by the Rev. Power.

There were many rumblings however, over the fact that the parish was opposed to replacing the pews with open seats, as the pew owners “preferred their own ease and comfort in the house of God, to the convenience and accommodation of their poorer brethren.”

Font

The bowl of this font was cut from a solid block of Forest of Dean stone in around 1380. It was restored in the 1870s when the oak cover made by Rattee of Cambridge was added.

Memorials

Sarabella Wigmore

Sarabella Wigmore, late of Cainham in the county of Salop, the last descendant of that ancient family. Also her uncle, Thomas Wigmore, East India Merchant

Thomas Smyth

In the churchyard is a grave stone which dates from around the 15th century, and although there is no inscription it is thought to be the grave of a vicar, Thomas Smyth (1415-1432) who was murdered inside the church.

The listed Lychgate shown on the picture of the church is a lovely 15th/16th century (although restored in 1911) example of where traditionally the first part of the burial ceremony was carried out, and the original bier is still stored under the rafters. The sandstone tiled roof provided protection from the elements and to this day the coffin shelters under the lychgate before being taken into the church for the service.

 
The tower of Whitbourne church houses six 18th century bells and also a 16th century sanctus bell. In 1912 the Harington family and some of their friends installed the screen behind the altar (reredos) and it is truly beautiful – depicting the Nativity, it also features colourful wings in the style of William Morris.
During the Second World War, several boys from Westminster school were evacuated to Whitbourne, and many of them have donated generously to the church.

Font

Norman, and truly beautiful in its simplicity.  The carving is of interlocking stars.

Memorials

This is one of many plaques for the Freeman family, including Johanne, Abigail, John, Mary, Elizabeth, Anna, John

 
“Hereunder lies Elizabeth, most loving wife of Richard Langford. Died 10th February 1708 aged 32. With her lies their son John who died 14th June 1708

The following was written in 1854:

“The Shobdon doorways are remarkable instances of the triumph of genius, in giving expression to an imagination which, throwing off all the trammels of the past, sought out in the sacred writings a new field over which it might range undisturbed.

That the old church of Shobdon is not of Norman origin is clear, not only from an attentive examination of its design and structure, but also from historical records.

In the reign of King Stephen, one Hugh de Mortimer requested the architect who had built a church in Paris which pleased him vastly, to come over to Shobdon and erect a similar one.  This architect was a Byzantine, or Greek, and the church was completed under his superintendence.

The old church no longer exists, having been pulled down a few years since in order to erect a new one on its site.  By the exertions of Mr. Lewis, the act of vandalism was arrested before the old doorways were completely destroyed, and Lord Bateman, struck by their extraordinary character, caused them to be safely removed to his park where they were set up.”

Fonts

This font  is of Romanesque origin, embellished with four lions nose to tail

 
View showing lid

 
Victorian Font, given to the church when the original twelfth century font was thought to be out of keeping with the church

Memorials

Sacred to the memory of John, Lord Viscount Bateman, Baron of Culmore in the Kingdom of Ireland. One of His Majesty’s most honourable Privy Council and many years Lord Lieutenant of this County. His virtues did honour to human nature, he was generous and charitable without ostentation; of elegant manners, friendly and hospitable. He lived revered and died lamented by all who had the happiness of knowing his worth. In grateful remembrance of the many benefits received from him, this monument was caused to be erected by his near kinsmen, and, through his munificence the present possessor of this Estate.

Epitaph to John Handford

Died 5th July 1778 aged 18

Look, reader, on this stone with weeping eye,

Twill serve thee as a glass to dress thee by.

Twill show thee thy true face, altho’ though be

At the highest pitch of frail mortality;

This brave young man had all this life could give,

And since he’s dead, canst thou presume to live?

From death, nor with, nor youth, nor art can save;

Go reader, and prepare thee for they grave.

Since its closure, it has been converted to a four bedroom house